I believe I have mentioned in the past that I am not big on criticism. Sure, like the rest of the consumer population, I read the criticisms others may share, but I prefer not to engage in them myself. I should point out, that I may do so verbally, among friends, but I tend to stray away from too much negative feedback and focus more on that which I can report with enthusiasm.
However… once in a while, I have to speak up. Typically when I find myself in such a level of disappointment that I wonder what all these other people saw. Particularly, speaking on film. If the average critic and then certain peers of mine seem to claim that a particular picture is so fantastic, my expectations become very high. It seems I must maintain some reservations in the future.
Case in question, Drive. I am not convinced I saw the same film. I liked some of the cinematography. I enjoyed the stunts. Brooks was pretty fucking cool. But…
It didn’t help that the teasers and trailer made the film so enticing. I expected a lot, lot more. A lot more. It wasn’t a horrible film by any means. I read one draft of the script and it seemed fairly promising. Certain things… just struck me wrong. I’m not saying I could have made a better film… but maybe I am. The theme and overall story were there. The execution was just poor.
First, the beloved Gosling was missing something. Quiet fits. I get it. The soft, yet convincing threats that he did make, were nice. But… something was missing. I didn’t care for the character at all. The connection with the kid was alright, but with the love interest? Fail. I read one critic who thought that the two engaged in silent understanding and it was great. What?!? No. I don’t buy it. I’m sure it could be done, somehow, but that wasn’t it. Very confusing how that carried forward and somehow flourished. I don’t any women like that. I’m surprised she didn’t feel a bit creeped out by “driver.” At least, surprised it took so long for her to be creeped. Every girl I know would have a heart attack and be overwhelmed by panic towards someone like “driver” after the elevator incident. Note that, I have no qualms about the degree of violence, but seriously? Why wasn’t she horrified and scared after?
I will point out that I enjoy a quiet, yet tough character, I just think the mark was missed. Something seemed off and the character became far more complicated than necessary.
That being said, Mulligan was fine. She did a good job. Better than Gosling. Far better. It’s not her fault the story directed her in certain directions.
Cranston. I’ve heard he’s a lot better. I’ve heard. I didn’t see it here. In fact, I can see he has a lot of potential, but this wasn’t demonstrated here.
Brooks. I saw him on some late show, in which he described a scene that got scrapped. That scene sounded exciting and did a lot to expose his character. In fact, it sounds fantastic. I shake my head at not having been able to see it included in the final cut. Otherwise, he was superb. I truly enjoy when an actor is slated into a role that is against his or her norm. He convinced me that he really is a badass. For instance, I look at some talent that strictly do comedy, and I wonder what I could do with them if I displaced them into a serious role for once. Something challenging, not simply drama, but a character with a deep conflict. I believe there’s a lot of hidden talent there, especially when engaging in emotional or psychological characters. To each, their own, I guess.
I was thoroughly disappointed. I have yet to engage my peers who recommended it, in order to see what can be discussed, but I am underwhelmed. A handful of other points I could make, however, in closing, I’ll simply question the overbearing tones of films from the seventies and eighties. The color, the attire, even the text for the titles… and the music. Holy shit, was the music horrible. I tell you what, if this film was made and released in 1983, it would have been one badass film that might still be referred to, today. Sadly, it was not. Sigh.
(Sidenote: I welcome criticism from others, I simply prefer to avoid actively criticizing the work of others unless requested. This also, should, in no way be considered that I believe Gosling or Refn to be subpar. There are other examples of their work out there that speak better of them than this… this homage to an era of cinematic storytelling that has long been extinct.)
Posted in Film, Rambling